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Images can be rotated or straightened at source level using a Z Rotation slider found in FrameFlex. There’s also the new ‘end of trim’ indicators, which look great for helping to understand the effects that various trims will have on the timeline.Ĭhanges in Trimming Clips-Now available in Media Composer 8.5 #avid #mediacomposer /C8mDetlBFu Trimming with Sync Locks On-Now available in Media Composer 8.5 #avid #mediacomposer /PwVHeGCUEM While this feature is set to be abundantly useful, it is going to take a while to get used to two new rollers, gray and dim yellow, have been added to the mix. Media Composer 8.5 allows Sync Rollers to be enabled for Sync-Locked tracks. A quick look at social media shows that people are having mixed results with Avid’s answer to Waveform Syncing-for now, though, Media Composer users should be happy that it has finally been included it’s a start and any shortcomings shouldn’t take too long to iron out. Of course, not all audio is equal and neither is the number of voices used per track per format.Īvid are a bit late to the party with this one, but still, it is nice to see that waveform analysis has been added to Media Composer 8.5. Instead, Media Composer 8.5 offers 64 mono tracks-or voices. An audio track to match will be automatically created during this process.Īdding Tracks in the Timeline-Now available in Media Composer 8.5 #avid #mediacomposer /fRXMK3ZhKv It does seem that there is a limit of adding one track at a time using this method. High-Visibility Timeline Editing-Now available in Media Composer 8.5 #avid #mediacomposer /MSafd0pryjĪnother workflow improvement is the ability to add tracks to the timeline by dragging a clip vertically. If, for some reason, you prefer the old wireframe style then don’t despair-that can be turned back on from within Timeline Settings. Furthermore, if you have waveforms turned on, they’ll remain visible to ensure that clips can be lined up easier. The timeline has been fired into the modern era, with clips remaining visible until they are dragged-at which point, they turn transparent so that you’ll be able to keep tabs on the overall layout of your timeline. High Dynamic Range (HDR) Support-Now available in Media Composer 8.5 #avid #mediacomposer /N4faeCRAQP Media Composer users now have color spaces for HDR available for Dolby Vision, Sony S-Log3, BBC/NHK, and ACES profiles! This provides support for higher ranges of video signal, enabling automatic transformations dependent on the selected color track for a given project.Īvid is recommending that HD projects use the 10 bit DNxHD444 and HQX while anything higher than HD should use the 12 bit DNxHR444 and DNxHQX. High Dynamic Range (HDR) SupportĪvid have jumped on the HDR wagon. With that out of the way, it’s time for a quick look at what Media Composer 8.5 brings to the table.
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#Avid media composer 8 features install
If you’re one of those people, make sure you’re using the most recent version of Avid App Manager-if your manager is up to date and it still doesn’t work, a reinstall may be the solution (or you can go old school and install 8.5 manually).
#Avid media composer 8 features update
This update seems aimed at improving workflow while simplifying the interface-both welcome additions by any Avid editor’s standards.īefore I begin looking at the features that 8.5 has delivered, it’s probably worth noting that a few people have had difficulty with downloading the update through the Application Manager. Avid Media Composer 8.5 was released not too long back and brought with it quite a few nice features, including HDR support, an overhauled menu, improved drag and drop within the timeline and more.